Abans que em mori is a musical and theatrical performance that turns the stage into a traditional village festival (revetlla) and invites the audience to immerse themselves in the universe of a popular orchestra.

The piece combines songs, humour, storytelling, and memory to traverse a world of pasodobles, boleros, tangos, cuplets, and village dances that are part of the collective imagination of several generations, bringing them into the present and turning the performance into a living, intimate experience shared with the audience.

Abans que em mori incorporates material from real testimonies of elderly people, who explain how they loved, danced, and lived through music. As it unfolds, the piece delves into themes such as family bonds, ageing, memories, and everything that remains stored within the songs.

Original Idea: Judit M. Gené

Directors: Montse Colomé and Jordi Vidal

Musical Director: Jordi Vidal

Movement: Montse Colomé

Dramaturgy: Ramon Micó

Cast: Judit M. Gené and Rai Borrell

Set and Costume Designer: Joan Griset

Lighting Designer: Joan Griset

Production: Judit M. Gené

Distribution and Management: MònicaDeGira

Musical Arrangements and Sound Design: Gerard Bosch

Technician: Joan Griset

Photography: Laia Nogueras

Video: Aïda Soler

Ramat presents an austere, changing, and living landscape, where a lonely character has lost what is most precious to them: their flock. In their search for companionship and shelter, this performance unfolds, drawing on physical theatre, contemporary circus, and visual poetry to explore individual loneliness and the need to belong to a collective.

This shepherd cannot make the journey alone. The audience members become an active part of their new flock, a key piece for the survival of the show and the one who inhabits it. In this fragile and necessary bond between performer and audience, Ramat becomes a shared, organic, and unrepeatable experience.

Through natural materials, live music, the language of the body, and complicity with the spectators, the piece reminds us that perhaps being part of the flock is not as bad as it sounds.

*After the open rehearsal of Ramat, the Fem Matx! appetizers will offer an informal space to continue getting to know the companies and share a conversation while standing, enjoying a snack.

Original idea: Joan Riera Draper

Direction: Joan Riera Draper and Andrea Tur Galera

Performance: Joan Riera Draper and Andrea Tur Galera

Movement advisor and outside eye: Felipe Vélez Martínez

Artistic support: Última Vèrtebra

Set design: Treballs forestals Can Jordi, Oasi Teatre

Costumes: Oasi Teatre.

Production: Oasi Teatre.

Audiovisual material: Paula Ferrandiz Ortiz

De l’embolic al rastre is an itinerant community mediation performance piece that takes place in public spaces.

A body of bodies follows the trail of memory. Rolling along. In the corners.

The street as a nest of memory, and a group of people crossing it, a tangle of intertwined legs and arms, with a head poking out here and there, advancing as a collective body. It leaves a mark: a trail of gazes.

The piece stems from a prior working process with local people, which serves as the starting point for this moving scenic device. The audience follows this journey, observing the movement of a collective body as it traverses the street and transforms the perception of the environment.

Through this languid movement, the piece invites us to listen closely and, beyond the daily murmur, perceive delicate polyphonies from other times.

Direction and mediation: Dolça Alcanyís i Laia Picas

Artistic accompaniment: Alejandro Santaflorentina

Participation of the Salt neighborhood

Acknowledgements to the students of the Degree in Performing Arts of the University School of the Arts (ERAM)

Vaga y Maleanta is a subversive cabaret that transforms memory into a show, bringing visibility to the history and past of our LGBTQ+ elders.

A documentary variety show where original music, improvisation, and dark humor are the main ingredients.

Kiki Morgan will be your mistress of ceremonies. This absurd, caustic, and risqué drag queen will take us through the era when the Ley de Vagos y Maleantes (Vagrancy and Thugs Act), later the Law of Social Danger, was in effect.

A comic, fresh, and committed show created in collaboration with the Fundación 26 de Diciembre, based on real stories and testimonies. A tribute to all those who suffered our past and fought for our future. An evening you will not forget.

Director: Jesús Lavi

Assistant Director: Lourdes García

Dramaturgy: Enrique Montero

Lighting: Leticia L. Karamazana

Set and Costumes: Fer Muratori

Tailoring: Clara Garrido

Musical Composition: Milo Giraldo

Choreography: Dolores Cardona

Sound: Hamblet Alejandro López and Víctor Rovira

Set Construction: Juan Carlos Rodríguez

Puppet Construction: Raúl Guirao

Musical Advisor: Íñigo Santacana

Dossier and Poster Photography: Igor Muñoz

Press: Manuel Benito

Executive Producer: Colette Casas

Production Assistants: Dolores Cardona and Yaiza Hervás

A production by Oniria Teatro

I felt a Funeral, in my Brain combines dance, puppetry, wood, and the spoken word to explore identity, matter, and the spaces between the living and the inert.

At the center of the stage, a large pine trunk becomes a house, a refuge, a burden, and a coffin. This object, heavy with time and memory, engages in a dialogue with the performer’s body, which moves it, supports it, and confronts it. It is accompanied by a wooden puppet that functions as an alter ego, a conscience, or an inner voice.

The show offers an intimate journey that reflects on life, death, and the construction of the self, while questioning imposed roles. It creates a space where body, matter, and time converge to generate open-ended questions.

Artistic direction and interpretation: Sira Aymerich i Besalú

External view: Federica Porello i Jasmin Sisti

Scenography and costumes: Sira Aymerich i Besalú

Sound creation: Federica Porello i Yann Longchamp

Light creation: Théâtre du Loup // Alba Omedes

Video creation: Videoclub – Rémi Dufay, Sylvain Froidevaux

Co-production: Théâtre du Loup

With the support of: Fonds mécénat SIG, Loterie Romande

Acknowledgements: La Manufacture – Haute École des Arts de la Scène, Pep Aymerich, Nicolas Alvarez, Michèle Benz i Gaia Magrané

AARGH! is a humorous dance-theatre piece that explores the scream as a point of tension between conformity and radical freedom. The work delves into the fear of being judged when expressing oneself freely and the transformative power of finding one’s own voice. Through a visceral journey from silence to noise, the piece turns the scream into a tool for self-affirmation and emancipation.

Creation and direction: Helena Gonçalves Alves i Mar Espona Moret

Interpretation and choreography: Helena Gonçalves Alves i Mar Espona Moret

Music: “Anadamastor” i “Lisboa Mulata” de Dead Combo

Art advisory: Stephanie Thomasen

Photography and video: Nikolaj Svansgaard

Production: Mispronounced Productions

With support from Dansehallerne, Dansekapellet, København Danser Studios, Uppercut Danseteater i Snabslanten

What do Shrek, kebabs, and the Balkan War have in common? In this academic-festive, insightful, and self-parodic lecture, the poet and his friends explain what you encounter when you reach the end of language.

Using words and PowerPoint, slide by slide, we will talk about men, pop culture, psychoanalytic delusions, the history of a vanished country, mass tourism in grim settings, Shrek memes, the metaphysics of the history of gastronomy, erotic desire, princesses, Tomàs Molina, the pain of others, cemeteries, speed, genocide, poetry, castles, and fear.

Creation and interpretation: Eduard Olesti

With the participation of his good friends: Maz Azemar, Rita Capella i Margarit, Enric Lizano i Marc Molins

With the support of: BCN CREA i la Fundació Joan Brossa, el Departament de Cultura de la Generalitat de Catalunya i el Festival TNT

Photography: Alessia Bombaci

Anarchic characters burst onto the streets with a traveling party. They spread a mischievous and cheeky energy, interacting with the audience through percussion, theater, movement, and voice.

In this roving show, the streets of Girona are transformed into a festive route where everyone ends up joining the revelry, set in an atmosphere of light, color, and visual extravagance.

A journey through funk and hip-hop that combines original beats with a fresh, striking, and electric sound.

Artistic direction: Genís Farran

Musical direction: Robert Canela

Movement direction: Heika Villar

Costume design: Josep Rosell

Cast: Laura Barquets, Robert Canela, Nil Centellas, Sandra Garcia, Joan González, Núria Pulido, Jordi Talavera, Natàlia Morales, Bernardo Manzambi