Punt i Ratlla combines theatre, clowning, and gestural theatre. It presents two travel companions who find themselves caught up in a game of misunderstandings, in a world where everything seems like smoke and darkness.

With their reality disrupted by the invisible wall that separates them from one another, they will try to find a way to reconnect and continue their journey.

Through the body, rhythm, and humor, the show explores the difficulties of communication and the need for the “other” as the only possible way to keep moving forward.

Performance and Co-creation: Eric Remedios Vicente and Mercè Badia Pàmies

Bodywork and Clown: Eric Remedios Vicente

Dramaturgy: Mercè Badia Pàmies

Lighting, Sound and Video Design: Ivo Garcia Suñé, Neus Molina and Dúnia Boada

Artistic Consulting: Lola Luna, Celia García, Ainhoa Osuna

Technical Consulting: Ivo Garcia Suñé

Photography: Clàudia Blanco and Pol Naranjo

Ramat presents an austere, changing, and living landscape, where a lonely character has lost what is most precious to them: their flock. In their search for companionship and shelter, this performance unfolds, drawing on physical theatre, contemporary circus, and visual poetry to explore individual loneliness and the need to belong to a collective.

This shepherd cannot make the journey alone. The audience members become an active part of their new flock, a key piece for the survival of the show and the one who inhabits it. In this fragile and necessary bond between performer and audience, Ramat becomes a shared, organic, and unrepeatable experience.

Through natural materials, live music, the language of the body, and complicity with the spectators, the piece reminds us that perhaps being part of the flock is not as bad as it sounds.

*After the open rehearsal of Ramat, the Fem Matx! appetizers will offer an informal space to continue getting to know the companies and share a conversation while standing, enjoying a snack.

Original idea: Joan Riera Draper

Direction: Joan Riera Draper and Andrea Tur Galera

Performance: Joan Riera Draper and Andrea Tur Galera

Movement advisor and outside eye: Felipe Vélez Martínez

Artistic support: Última Vèrtebra

Set design: Treballs forestals Can Jordi, Oasi Teatre

Costumes: Oasi Teatre.

Production: Oasi Teatre.

Audiovisual material: Paula Ferrandiz Ortiz

De l’embolic al rastre is an itinerant community mediation performance piece that takes place in public spaces.

A body of bodies follows the trail of memory. Rolling along. In the corners.

The street as a nest of memory, and a group of people crossing it, a tangle of intertwined legs and arms, with a head poking out here and there, advancing as a collective body. It leaves a mark: a trail of gazes.

The piece stems from a prior working process with local people, which serves as the starting point for this moving scenic device. The audience follows this journey, observing the movement of a collective body as it traverses the street and transforms the perception of the environment.

Through this languid movement, the piece invites us to listen closely and, beyond the daily murmur, perceive delicate polyphonies from other times.

Direction and mediation: Dolça Alcanyís i Laia Picas

Artistic accompaniment: Alejandro Santaflorentina

Participation of the Salt neighborhood

Acknowledgements to the students of the Degree in Performing Arts of the University School of the Arts (ERAM)